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Bert Deivert is one of the top blues mandolinists in the world today. His band together with master Swedish musicians Zander, Pettersson, and Lindholm, is innovative and international, as well as true to the roots of early country blues.

Their music blends folk, jazz, and blues, and pays homage to a blues style and tradition that has nearly disappeared.

Weaving modern uses of electric guitar, bass and drums from later blues from the 50’s – 70’s with early pre-war blues has resulted in a meld of exciting sounds and resonance. The repertoire is original material, traditional, and modern songs from Mississippi and the South done in their own driving style.


Bert Deivert – vocals, resonator mandolin, guitar
Janne Zander – resonator guitar, acoustic & electric guitar, slide
Per-Arne Pettersson – bass
Fredrik Lindholm – drums

Press/Media resources: Here you find bio, one sheet flyer, rider, high res photos, music files, and videos.



‘Blood In My Eyes For You’ is dominated by the mandolin and that is definitely not a bad thing. A flat re-treaded song like “Baby Please Do not Go ‘ gets an absolutely fabulous arrangement so you think it’s a brand new song. It rocks all the through the track. – Philip Verhaege, Keys and Chords

It is not unusual for a review to conclude with “go see them live,” but “Blood In My Eyes For You” captures Copperhead Run’s live essence so successfully that this time, I would actually advise you to start with the CD – which of course will only make you want to see them in concert so much more. And while many of the songs on this album have been recorded before by a variety of performers – including Bert Deivert himself! – I’d say these versions are outstanding and need to be heard. Recommended! – Andres Roots,

Bert Deivert plays his mandolin so masterfully that it sometimes seems that he was the musical partner of John Estes for years, instead of mandolin man (Yank) Rachell. – Rootstime magazine, Belgium

Upcoming gigs
Interested in booking Bert Deivert & Copperhead Run for a gig?
Their concerts are suitable for festivals of many types, including blues and jazz, since the music they play encompasses roots, blues, americana, folk, and early ragtime. House concerts, blues and folk societies, and live music venues are all suitable, as well.

We invite you, as a first step, to fill in the form below, so we can get a good idea of your needs and wishes. We will then contact you as soon as possible. And we are off on a good conversation!

If you want, you can also call us over phone, Skype or write us an ordinary email (see contact info in the sidebar). Feel free to communicate either in English, Swedish or in French! We speak English. Vi talar svenska. Nous parlons Français.



News from the band:

  • Nate and The Blues Room in New Zealand – Best of 2015

    Nate and The Blues Room in New Zealand – our album BLOOD IN MY EYES FOR YOU is among the Best of 2015


    Just released in the BLUES BLAST MAGAZINE newsletter on Xmas Eve, this review will be available later on the magazine’s website:

    Bert Deivert & Copperhead Run – Blood In My Eyes For You
    12 songs – 53 minutes
    Despite being a key component of many early blues/jug combos, and despite the stellar contributions of artists like Yank Rachell, Carl Martin and Johnny Young to blues music generally, for many years the mandolin took a back seat in the cabal of blues instrumentation. In recent years, however, the likes of Steve James, Billy Flynn and Ry Cooder have blazed a fresh trail for fans, re-emphasizing how perfectly the airy, tenor tone of the mandolin sits in the frequency spectrum to complement the contrasting tonal qualities of the guitar and the piano. While not as famous as the likes of James, Flynn and Cooder, Bert Deivert certainly deserves his place in the pantheon of modern-day blues mandolin masters.
    Blood In My Eyes For You is Deivert’s 12th album and the fourth featuring his melodic blues mandolin mastery. Featuring two self-composed songs and 10 covers of classic blues songs, Blood In My Eyes is a little gem of an album. Deivert was born in Boston, Massachusetts, but has led a peripatetic existence. Recently, he has been based in Sweden and is backed on the album by Copperhead Run, featuring the local (and very impressive) acoustic talents of Fredrik Lindholm on drums, Janne Zander on guitars and Per-Arne Pettersson on bass. Together they provide subtle support for Deivert’s voice and mandolin, locking into irresistible rhythms on tracks like “My Baby’s Gone” and “Drop Down Mama”.
    While many of the songs are well-known, Deivert and crew prefer to re-interpret the tracks in their own way. The title track, for example, replaces the violin and folksy octave-bounce of the Mississippi Sheiks’ original with slide guitar and mandolin, whilst still retaining its distinctive toe-tapping groove. Big Joe Williams’ “Baby Please Don’t Go” probably owes as much to Them’s famous cover as it does to the original. And Son House’s “Death Letter” is actually slowed down a tad, adding to its haunting tone, albeit within the primal dread of House’s original.
    Deivert’s two original songs sit comfortably with the classics. “Black Nanny” features a busy bass line under-pinning the hypnotic, one-chord verse, and “Cuckoo Crowed” has a slightly more modern feel and some superb slide guitar from Zander.
    Throughout the album, Deivert’s mandolin alternates between contributing driving rhythm to the likes of “Special Agent” or adding beautiful, nuanced emphasis to particular vocal lines, for example in the up-beat shuffle of Sleepy John Estes’ “Mailman Blues”.
    Recorded live in the studio in Karlstad, Sweden, by Mattias Perez, the album captures the feel of a juke joint gig in the American south in the warmth and immediacy of the instrumentation as well as that indefinable magic of musicians playing off each other.
    Blood In My Eyes For You is a really enjoyable album of superbly-played, mandolin-led blues. If one were to nit-pick, it would be good to see more original songs but maybe that’s something for the next album. Until then, this is a great place to start to enjoy the blues of Bert Deivert.
    Reviewer Rhys Williams lives in Cambridge, England, where he plays blues guitar when not holding down a day job as a technology lawyer or running around after his children. He is married to an American, and speaks the language fluently, if with an accent.