Bert Deivert is one of the top blues mandolinists in the world today. His band together with master Swedish musicians Zander, Pettersson, and Lindholm, is innovative and international, as well as true to the roots of early country blues.
Their music blends folk, jazz, and blues, and pays homage to a blues style and tradition that has nearly disappeared.
Weaving modern uses of electric guitar, bass and drums from later blues from the 50’s – 70’s with early pre-war blues has resulted in a meld of exciting sounds and resonance. The repertoire is original material, traditional, and modern songs from Mississippi and the South done in their own driving style.
Bert Deivert – vocals, resonator mandolin, guitar
Janne Zander – resonator guitar, acoustic & electric guitar, slide
Per-Arne Pettersson – bass
Fredrik Lindholm – drums
Press/Media resources: Here you find bio, one sheet flyer, rider, high res photos, music files, and videos.
‘Blood In My Eyes For You’ is dominated by the mandolin and that is definitely not a bad thing. A flat re-treaded song like “Baby Please Do not Go ‘ gets an absolutely fabulous arrangement so you think it’s a brand new song. It rocks all the through the track. – Philip Verhaege, Keys and Chords
It is not unusual for a review to conclude with “go see them live,” but “Blood In My Eyes For You” captures Copperhead Run’s live essence so successfully that this time, I would actually advise you to start with the CD – which of course will only make you want to see them in concert so much more. And while many of the songs on this album have been recorded before by a variety of performers – including Bert Deivert himself! – I’d say these versions are outstanding and need to be heard. Recommended! – Andres Roots, BluesWebzine.com
Bert Deivert plays his mandolin so masterfully that it sometimes seems that he was the musical partner of John Estes for years, instead of mandolin man (Yank) Rachell. – Rootstime magazine, Belgium
Interested in booking Bert Deivert & Copperhead Run for a gig?
Their concerts are suitable for festivals of many types, including blues and jazz, since the music they play encompasses roots, blues, americana, folk, and early ragtime. House concerts, blues and folk societies, and live music venues are all suitable, as well.
We invite you, as a first step, to fill in the form below, so we can get a good idea of your needs and wishes. We will then contact you as soon as possible. And we are off on a good conversation!
If you want, you can also call us over phone, Skype or write us an ordinary email (see contact info in the sidebar). Feel free to communicate either in English, Swedish or in French! We speak English. Vi talar svenska. Nous parlons Français.
News from the band:
- English translation of new review in Lira, Swedish roots and world music magazine.
REVIEW: LIRA ROOTS AND WORLD MUSIC MAGAZINE, SWEDEN September 2015
Following up his 2013 musical journey to Thailand, Bert Deivert has returned to his own roots, that is, blues, and with Swedish musical colleagues. It starts out on full speed with Baby Please Don’t Go and the songs that follow are pure classics except for a couple of Deivert’s originals. The whole album was recorded live in the studio with no overdubs, and you can hear that the band is rocking.
At times I think that blues feels rather constrained in its structure, but I am caught up in the groove that Copperhead Run provides, where Deivert’s mandolin playing has a fresh feel and a fine contrast to Zander’s beautiful guitar playing. At times, as in Special Agent, the music gravitates towards bluegrass (mandolin!) which provides a change of pace. Some of the songs are also on Deivert’s more acoustic solo cd, KID MAN BLUES, which he released two albums ago, but it feels like these versions are more complements than reiteration.
– Ulf Torstensson
- Great new review in Lira, Swedish roots and world music magazine.